{"id":531,"date":"2025-11-05T22:47:44","date_gmt":"2025-11-05T22:47:44","guid":{"rendered":"http:\/\/kristynasvihalkova.art\/?page_id=531"},"modified":"2025-11-28T16:50:21","modified_gmt":"2025-11-28T16:50:21","slug":"sonda-for-speaking-percussionist","status":"publish","type":"page","link":"http:\/\/kristynasvihalkova.art\/cs\/sonda-for-speaking-percussionist\/","title":{"rendered":"Sonda"},"content":{"rendered":"<p><em>Sonda for a speaking vibraphonist<\/em> je skladba, kter\u00e1 zkoum\u00e1 vnit\u0159n\u00ed sv\u011bt interpreta, kter\u00fd se pohybuje v r\u016fzn\u00fdch hudebn\u00edch stylech jak\u00fdmi jsou nap\u0159\u00edklad klasick\u00e1 hudba, funk, jazz, soudob\u00e1 hudba a s\u00f3lov\u00fd vibrafonov\u00fd reperto\u00e1r. Ka\u017ed\u00fd \u017e\u00e1nr klade odli\u0161n\u00e9 technick\u00e9 a interpreta\u010dn\u00ed v\u00fdzvy, kter\u00e9 vy\u017eaduj\u00ed nejen ur\u010ditou techniku hry, ale tak\u00e9 \u0159e\u010d t\u011bla.<\/p>\n\n\n\n<p>Struktura <em>Sonda <\/em>\u010derp\u00e1 inspiraci z filmov\u00e9ho st\u0159ihu a vyu\u017e\u00edv\u00e1 neline\u00e1rn\u00ed formu, v n\u00ed\u017e se pohyby nep\u0159edv\u00eddateln\u011b opakuj\u00ed v r\u016fzn\u00fdch podob\u00e1ch. Tato diskontinu\u00e1ln\u00ed logika je podpo\u0159ena stylistick\u00fdmi fragmenty, kter\u00e9 se rychle m\u011bn\u00ed a zvy\u0161uj\u00ed kontrast a fragmentaci jako kompozi\u010dn\u00ed n\u00e1stroje.<\/p>\n\n\n\n<p>Skladba se zam\u011b\u0159uje na fragmentaci narativu a identity a p\u0159edstavuje interpreta jako pozorovatele i pozorovan\u00e9ho. D\u00e1le tak\u00e9 \u010derp\u00e1 z Roland Barthesova konceptu Smrti autora. <em>Sonda <\/em>se br\u00e1n\u00ed jedine\u010dn\u00e9mu v\u00fdkladu a p\u0159ij\u00edm\u00e1 performativn\u00ed nejednozna\u010dnost. Prost\u0159ednictv\u00edm libovoln\u00e9ho po\u0159ad\u00ed \u010d\u00e1st\u00ed d\u00edla a mo\u017enosti improvizace v n\u011bkter\u00fdch segmentech odkazuje na rhizomatick\u00e9 struktury podle Deleuze a Guattariho.<\/p>\n\n\n\n<p>D\u00edlo m\u011blo premi\u00e9ru na koncert\u011b <em>Studia soudob\u00e9 hudby<\/em> , kter\u00fd se konal na JAMU 20. dubna 2023.<\/p>\n\n\n\n<div style=\"height:46px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sonda (2022)\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/hVzOGPtfcxE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Partitura:<\/p>\n\n\n\n<div class=\"wp-block-pdf-viewer-block-standard\" style=\"text-align:left\"><div class=\"uploaded-pdf\"><a href=\"http:\/\/kristynasvihalkova.art\/wp-content\/uploads\/2025\/11\/Sonda_new.pdf\" data-width=\"\" data-height=\"\"><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Sonda for a speaking vibraphonist is a composition that explores the expressive interiority of the performer as they navigate various musical idioms, including classical music, funk, jazz, contemporary music, and solo vibraphone repertoire. Each genre imposes distinct technical and theatrical demands, requiring not only specialised playing techniques but also corresponding gestural and performative vocabularies. The structure of Sonda draws inspiration from film editing, employing a nonlinear form where movements recur unpredictably in various forms. This discontinuous logic is supported by stylistic fragments that shift rapidly, heightening contrast and fragmentation as compositional tools. The piece centres on the fragmentation of narrative and identity, presenting the performer as both observer and observed. Drawing from Roland Barthes&#8217; concept of the Death of the Author, Sonda resists a singular interpretation and embraces performative ambiguity. Additionally, there is a connection to rhizomatic structures through the arbitrary order of the piece\u2019s parts and the possibility of improvisation in some segments. The piece was premiered at the Studio soudob\u00e9 hudby concert held at JAMU on April 20, 2023. Full Score:<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-531","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/pages\/531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/comments?post=531"}],"version-history":[{"count":11,"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/pages\/531\/revisions"}],"predecessor-version":[{"id":1117,"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/pages\/531\/revisions\/1117"}],"wp:attachment":[{"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/media?parent=531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}