{"id":895,"date":"2025-11-15T16:24:58","date_gmt":"2025-11-15T16:24:58","guid":{"rendered":"http:\/\/kristynasvihalkova.art\/?page_id=895"},"modified":"2025-11-15T16:47:51","modified_gmt":"2025-11-15T16:47:51","slug":"the-interpretation-of-open-scores","status":"publish","type":"page","link":"http:\/\/kristynasvihalkova.art\/cs\/the-interpretation-of-open-scores\/","title":{"rendered":"Probl\u00e9my interpretace otev\u0159en\u00fdch partitur"},"content":{"rendered":"

Bakal\u00e1\u0159sk\u00e1 pr\u00e1ce Probl\u00e9my interpretace otev\u0159en\u00fdch partitur<\/em> (2019) pojedn\u00e1v\u00e1 o pot\u00ed\u017e\u00edch, kter\u00e9 se mohou naskytnout u prov\u00e1d\u011bn\u00ed otev\u0159en\u00e9ho d\u00edla, a to zejm\u00e9na grafick\u00fdch partitur, na kter\u00e9 je tato pr\u00e1ce zam\u011b\u0159ena. C\u00edlem m\u00e9ho pojedn\u00e1n\u00ed je p\u0159ibl\u00ed\u017eit \u010dten\u00e1\u0159i historick\u00fd v\u00fdvoj tohoto hudebn\u00edho fenom\u00e9nu, uv\u00e9st jeho nejv\u00fdznamn\u011bj\u0161\u00ed p\u0159edstavitele, nal\u00e9zt odpov\u011bdi na ot\u00e1zky t\u00fdkaj\u00edc\u00ed se dan\u00e9ho t\u00e9matu a n\u00e1sledn\u011b v\u0161e demonstrovat na dvou p\u0159\u00edkladech uveden\u00fdch z praxe, a to na grafick\u00fdch partitur\u00e1ch Coeur <\/em>Sylvana Bussottiho a Studie pro bic\u00ed n\u00e1stroje <\/em>Lucie Chr\u00e1pav\u00e9.<\/p>\n\n\n\n

Pln\u00fd text pr\u00e1ce lze nal\u00e9zt zde<\/strong><\/a>.<\/p>\n\n\n\n

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P\u016fvodn\u00ed partitura Coeur Sylvana Bussottiho<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Anal\u00fdza Coeur<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Srdce v Coeur<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

The bachelor\u2019s diploma thesis titled The Interpretation of Open Scores (2019) addresses the challenges faced by performers when working with open scores, particularly those involving graphic notation. The objectives of this work are to provide readers with an overview of the historical development of this musical phenomenon, to highlight significant composers in the field, and to explore key questions related to the topic. Additionally, to illustrate the findings, two specific examples are examined: Coeur by Sylvano Bussotti and Studie pro bic\u00ed n\u00e1stroje by Lucie Chr\u00e1pav\u00e1. The full Czech version of the text is available here.<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-895","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/pages\/895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/comments?post=895"}],"version-history":[{"count":10,"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/pages\/895\/revisions"}],"predecessor-version":[{"id":910,"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/pages\/895\/revisions\/910"}],"wp:attachment":[{"href":"http:\/\/kristynasvihalkova.art\/cs\/wp-json\/wp\/v2\/media?parent=895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}